Aristotle does not actually mention the neoclassical unity of place at all.
2.
Racine invariably observes the unity of place.
3.
The observance of unity of place and time in the narrative give the works an oppressive atmosphere.
4.
It challenged the unity of place, time and action required by early 17th-century French theater.
5.
By constraining his choice of subjects to those drawn from the literature of Poetics " : the unities of place, time, and action ( one scene location, 24 hours, and consistent actions respectively ).
6.
Also, there is some debate as to whether the excursion to " Crackskull common " counts as a separate setting, but since the truth is that the travellers do not leave the mansion gardens, the Unity of Place is not violated.
7.
The early theatres in Paris were often placed in existing structures like tennis courts; their stages were extremely narrow, and facilities for sets and scene changes were often non-existent ( this would encourage the development of the unity of place ).
8.
Lastly, the unity of place necessitates the r�cit and this again is in complete harmony with Racine's fundamental aims : how would " Andromaque " gain by our being able to see Pyrrhus and his bride approach and enter the temple?
9.
In " Apology ", he shows opposition to the current of his day that pays little attention to unity of place in drama, but more specifically, his concern is with the " manner " that the " matter " is conveyed.
10.
Although based on classical examples, the unities of place and time were seen as essential for the spectator's complete absorption into the dramatic action; wildly dispersed scenes in China or Africa, or over many years would critics maintained break the theatrical illusion.
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